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staying in our own lane as artists & entrepreneurs, the largest & final piece in my solo show and a solo show update

staying in our own lane as artists & entrepreneurs, the largest & final piece in my solo show and a solo show update
CANDYcolored studio podcast episode 230
it’s been a hot minute friend! as my solo show debut got closer i ran out of energy to do the podcast lol. but i’m so happy to be back. in this episode you’ll hear about the 48x96” “blue skies” painting that includes flowers and birds that symbolize joy and celebration. also, a white rabbit coming out of a cage, doves drinking from a bird bath, a cake, peacock and so much more. soo many thanks to susan and her team at alpine art who’ve done such a beautiful job with the show. in my podcast show notes on katrinaberg.com you’ll be able to watch my recent segments on ksl’s studio 5 with brooke walker, an art review article by avery greig on 15 bytes and you can flip through my online catalog of the show. thanks to jessica libor of "the inspired painter podcast" we can consider what "staying in our lane" as artists and entrepreneurs looks like. and a red pill about misinformation or covid myths.
click below to listen to the episode 

15 bytes review of katrina berg's solo show "signs & symbols of spring"

15 bytes review of katrina berg's solo show "signs & symbols of spring"
alpine art katrina berg large floral bird oil thick paint solo show

special thanks to avery grieg and 15 bytes for their review of my solo show. i'll leave a peek below, click here to read the entire article on 15 bytes.

Other works in the exhibition, including “Angels’ Lullaby” and “I Want to Break Free,” deal with heavier topics such as healing and processing past events or letting go of old beliefs. Although these themes can be significantly heavy topics, Berg does not use them as an opportunity to dump dark colors and painful subjects onto her canvases. Just as in “I’ve Got Plenty to Be Thankful For,” Berg subverts these deeper messages with her light, feminine and deeply symbolic creations. If there is one thing the exhibition solidifies, it is that broad and heavy issues do not become diluted when expressed in feminine colors and themes.

 
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