News
doing all the "shoulds" vs inviting god to help us curate a life of joy and personal completeness
CANDY COLORED STUDIO EPISODE 241:
happiest fall friend! so many exciting things with the fall colors to the art shows and markets currently available! check out the show links below to access them all. do you ever feel like you’re swimming through life simply responding to all the “shoulds” you feel you ought to be doing? do you feel pressure to do say “yes” to all the things, events or life directions by the most well-meaning people? let’s talk about the big and small life choices we make that add up to big and even bigger life directions and consequences. are they helping us find joy, feel complete or becoming our best self? how can we be more intentional about our choices and allow god to invite us to create a more curated life where we can find purpose and fulfillment without regret?
alpine art gallery photo shoot with my dancer & her bestie!
click here to see all the paintings in the "signs and symbols of spring" collection
i spent a special day with daughter and her bestie at the gallery -- when she was little i'd follow her around with my camera trying to capture all her adventures and sweet moments. things move so much faster these days and it was a gift to spend time with anneclaire and her bff in the alpine art & frame gallery celebrating art, dance & friendship. here are my favs from the photoshoot. flip through the online show catalog here.
15 bytes review of katrina berg's solo show "signs & symbols of spring"
special thanks to avery grieg and 15 bytes for their review of my solo show. i'll leave a peek below, click here to read the entire article on 15 bytes.
Other works in the exhibition, including “Angels’ Lullaby” and “I Want to Break Free,” deal with heavier topics such as healing and processing past events or letting go of old beliefs. Although these themes can be significantly heavy topics, Berg does not use them as an opportunity to dump dark colors and painful subjects onto her canvases. Just as in “I’ve Got Plenty to Be Thankful For,” Berg subverts these deeper messages with her light, feminine and deeply symbolic creations. If there is one thing the exhibition solidifies, it is that broad and heavy issues do not become diluted when expressed in feminine colors and themes.